The Fake-Husband Duology: Two Complete Romance Scripts

Two complete Romance & Sweet Love scripts in one discounted bundle — buy together and save versus purchasing each separately.

Script 1: Seven Letters to My Fake Husband

Logline. To secure her dying grandfather’s last wish, a nurse marries a stranger for one year and leaves him seven sealed letters, one to be opened each time he is about to walk away.

Format. 84 episodes × 95 sec vertical · approx 133 minutes of total runtime.

The premise.

• Grandfather Emil has one operation left and one condition: he will not go under until he has seen Iris safe.
• Caleb Nakamura needs a stable address and a reason to stop moving every eleven months.
• The marriage is one year. The letters are Iris’s insurance against hope.
• Each letter answers a specific reason for leaving: boredom, fear, someone better, the truth, the money, the grief.
• Iris does not know what she wrote in the seventh letter. She wrote it first and sealed it before she knew him.

Main characters.

• Iris Lund — F, 28, palliative nurse. Has sat with fifty-one people while they died and has never once cried at work. Manages feeling the way she manages a ward: triage, chart, move. Raised by her grandfather after her mother left without a note, which explains the letters entirely. Want: Get Emil through the operation. Need: To let someone stay without pre-writing their exit..
• Caleb Nakamura — M, 31, boat mechanic. Moves every eleven months, always before anyone notices he is good at something. Fixes engines with total patience and people with none. Has never received a letter in his life. Want: A file that says he belongs somewhere. Need: To find out what happens at month twelve of staying..
• Emil Lund — M, 79, grandfather. A retired lighthouse keeper who knows exactly what his granddaughter is doing and lets her do it because the alternative is her alone. Knows about the letters from episode nine. Want: To see Iris held by someone. Need: To tell her the truth about her mother before he goes..
• Sofie Lund — F, 52, the mother who left. Returns at episode fifty-five. Not a villain, not forgiven. Her arrival is why letter five exists. Want: To be at the funeral without being hated. Need: To accept that she does not get absolution..
• Dr. Amara Hale — F, 40, surgeon. Emil’s surgeon and Iris’s oldest professional friend. Delivers the hard news and the one piece of advice that changes the finale. Want: A good outcome. Need: To stop treating Iris as staff when she is family..

Structure. Act 1 (1-24): The Registry and the Envelopes; Act 2 (25-58): Six Letters; Act 3 (59-84): The Seventh

Sample hook. Ep 1-8 — One year, on paper: A registry office, two strangers as witnesses, and an envelope bundle tied with surgical tape.

Pro-tier bonus material included: monetization and paywall map, localization guide, an alternate ending option, a casting and look-book brief, and a writers-room expansion worksheet.

Script 2: My Boss Thinks We’re Married

Logline. A junior architect’s white lie about a husband spirals when her firm’s notoriously private new director turns out to be the man she named, and he decides not to correct her.

Format. 80 episodes × 90 sec vertical · approx 120 minutes of total runtime.

The premise.

• Mira Sandoval invents a husband to escape a client who does not accept no from single women.
• Rafael Halloway arrives as director, hears the story, and confirms it in front of the entire firm.
• He sets one condition in private: they never discuss it, and she never asks why.
• The lie requires maintenance: a shared address on HR forms, a couples’ event, a family funeral.
• His reason involves a name on a building plaque and a person who is not in the story yet.

Main characters.

• Mira Sandoval — F, 30, junior architect. Six years at the firm, three years overlooked, one competition win credited to someone else. Draws beautifully and speaks badly in rooms with more than four people. The lie is the first thing she has ever improvised successfully. Want: Lead a project with her name on it. Need: To occupy space without a cover story..
• Rafael Halloway — M, 36, design director. Ran his own studio in another city and closed it without explanation. Answers direct questions and volunteers nothing. Widely assumed to be cold, which is a misreading of someone who is simply finished explaining himself. Want: Finish the Vaughn Street project and leave. Need: To stop paying a debt to a person who is dead..
• Teodora Vance — F, 58, managing partner. Built the firm and now spends most of her energy managing its reputation. Suspects the marriage is false from episode thirty and pursues it as a governance problem, not gossip. Want: No scandal before the Vaughn contract signs. Need: To recognize she has been protecting the firm from its own best people..
• Oskar Lindqvist — M, 33, senior architect and rival. Took credit for Mira’s competition win three years ago and genuinely does not remember doing it. The show’s most realistic antagonist. Want: The Vaughn Street lead. Need: To notice what he takes..
• Genevieve Halloway — F, 62, Rafael’s mother. Appears at episode forty-eight. Provides the piece of information that explains the plaque, and does it while criticizing Mira’s shoes. Want: Her son to come home. Need: To stop invoking the dead to do it..

Structure. Act 1 (1-24): Thank You; Act 2 (25-52): Maintenance and Suspicion; Act 3 (53-80): After the Answer

Sample hook. Ep 1-4 — The name on the plaque: A client dinner, an escape route, and the first name Mira’s eyes land on. Two weeks later that name is announced as the new director.

Pro-tier bonus material included: monetization and paywall map, localization guide, an alternate ending option, a casting and look-book brief, and a writers-room expansion worksheet.

Why the bundle

Both scripts are stand-alone hits that share a tonal world, so they cross-promote naturally. Purchased separately they would cost $99.98 — the bundle price is $79.99. You receive two .txt packages.

Format and delivery

This is a digital download. After purchase you get immediate access to the .txt file(s) listed above. The text is English, fully formatted, and ready to hand to a writing or production team. License: non-exclusive, worldwide, perpetual — adapt, translate, and produce commercially. You may not resell the document itself as a script product.