My Boss Thinks We’re Married

A junior architect’s white lie about a husband spirals when her firm’s notoriously private new director turns out to be the man she named, and he decides not to correct her. A complete, shoot-ready short-drama script package in English, delivered as a downloadable .txt development bible you can produce directly.

The script: My Boss Thinks We’re Married

Logline. A junior architect’s white lie about a husband spirals when her firm’s notoriously private new director turns out to be the man she named, and he decides not to correct her.

Format. 80 episodes × 90 sec vertical · approx 120 minutes of total runtime.

The premise.

• Mira Sandoval invents a husband to escape a client who does not accept no from single women.
• Rafael Halloway arrives as director, hears the story, and confirms it in front of the entire firm.
• He sets one condition in private: they never discuss it, and she never asks why.
• The lie requires maintenance: a shared address on HR forms, a couples’ event, a family funeral.
• His reason involves a name on a building plaque and a person who is not in the story yet.

Main characters.

• Mira Sandoval — F, 30, junior architect. Six years at the firm, three years overlooked, one competition win credited to someone else. Draws beautifully and speaks badly in rooms with more than four people. The lie is the first thing she has ever improvised successfully. Want: Lead a project with her name on it. Need: To occupy space without a cover story..
• Rafael Halloway — M, 36, design director. Ran his own studio in another city and closed it without explanation. Answers direct questions and volunteers nothing. Widely assumed to be cold, which is a misreading of someone who is simply finished explaining himself. Want: Finish the Vaughn Street project and leave. Need: To stop paying a debt to a person who is dead..
• Teodora Vance — F, 58, managing partner. Built the firm and now spends most of her energy managing its reputation. Suspects the marriage is false from episode thirty and pursues it as a governance problem, not gossip. Want: No scandal before the Vaughn contract signs. Need: To recognize she has been protecting the firm from its own best people..
• Oskar Lindqvist — M, 33, senior architect and rival. Took credit for Mira’s competition win three years ago and genuinely does not remember doing it. The show’s most realistic antagonist. Want: The Vaughn Street lead. Need: To notice what he takes..
• Genevieve Halloway — F, 62, Rafael’s mother. Appears at episode forty-eight. Provides the piece of information that explains the plaque, and does it while criticizing Mira’s shoes. Want: Her son to come home. Need: To stop invoking the dead to do it..

Structure. Act 1 (1-24): Thank You; Act 2 (25-52): Maintenance and Suspicion; Act 3 (53-80): After the Answer

Sample hook. Ep 1-4 — The name on the plaque: A client dinner, an escape route, and the first name Mira’s eyes land on. Two weeks later that name is announced as the new director.

Pro-tier bonus material included: monetization and paywall map, localization guide, an alternate ending option, a casting and look-book brief, and a writers-room expansion worksheet.

What you receive

One production-ready script package (.txt): quick facts, pitch, core premise, world rules, main characters, relationship map, structure framework, full episode hook map, formatted sample pages, hook and retention rules, and production notes. It also includes the full Pro-tier expansion sections.

Format and delivery

This is a digital download. After purchase you get immediate access to the .txt file(s) listed above. The text is English, fully formatted, and ready to hand to a writing or production team. License: non-exclusive, worldwide, perpetual — adapt, translate, and produce commercially. You may not resell the document itself as a script product.